This review was originally published in Perdeby on 20 May 2013.
***
“Woooo, woooo, you’re such a bitch in the morning,” sings
Shortstraw frontman Alastair Thomas, launching a sputter of insults on
“Good Morning, Sunshine”, the title track of their second offering.
Similar to their debut album, You’re Underfed, I’m Wonderful,
it’s a collection of songs that conjure hair-whipping, hip-thrusting,
booty-jiggling jiving that is so wrong that it’s right. Why? Simple.
It’s practically impossible not to.
But don’t make a mistake in thinking Shortstraw’s sound has remained stagnant this time around. While Good Morning, Sunshine may
still be doused with droll lyrics, it also reveals more introspective
wordsmithing, the type that only sinks in later when you find yourself
belting songs out in tedious traffic or when you’re elbow-deep in a sink
of grimy dishes.
“Couch Potato” lambasts a generation of square-eyed youth
who spend their lives in front of the TV, while “Cold Shoulder” admits
that “There’s a wounded soldier to mend / So hold me closer tonight.”
And then there’s “LCBSS”, with its contrite chorus:
“Sorry for everything / Sorry for everything else too / Sorry for the
disappointment / Sorry for the fact that you’re alone / Life can be so
shitty sometimes / I can be so shitty sometimes.”
Shortstraw is well aware of the value of putting swear
words in the chorus of a song. People sing louder, as if collective
cussing somehow gives the proverbial middle finger to everything that
irks them in life: the neighbour’s podgy pooch that yelps at all hours,
the ever-increasing petrol price, the fact that the Guptas landed their
plane where they weren’t supposed to.
The familiar punch of fun is supplied by tracks like “127
Hours”, a song about that awkward moment when you see someone for the
first time after some one-night loving.
“Mo Money”, a collaboration with rapper Zubz, is a
hedonistic celebration of hitting the bar with an inhibition-less girl
(“Now fill up your cup, it’s getting empty / You’re getting drunk, I’m
getting thirsty”), while “Gimme My Fix (It’s Only Recreational)” is a
song about how a person can be addictive (“Snap back, heart attack /
You’re just like a ticket to the sun”).
“The Wedding Blues” is, perhaps, a song that finds itself
somewhere in the middle, featuring Desmond & The Tutus frontman
Shane Durrant as the best man rapping an embarrassing speech. It pokes
fun at the convention of getting married, while at the same time
pleading for you not to take it too seriously.
Does Shortstraw completely manage to translate their live
energy, made all the more palpable by guitarist Tom Revington, into
their recorded material? Not entirely, but this is only in praise of
their live performances, which have morphed into high-octane
spectaculars that prove that Shortstraw is a band to keep a beady eye
on.
Listen to Good Morning, Sunshine below and then head on over to Shortstraw's Bandcamp page to download the album at a price of your choosing.
Listen to Good Morning, Sunshine below and then head on over to Shortstraw's Bandcamp page to download the album at a price of your choosing.
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